HEPHAESTUS
(Roman -
Vulcan)
Hephaestus was the God of Fire and the
Forge, the smith, craftsman and weapon maker of the gods. He was the son
of Zeus and Hera, although it is sometimes said that Hera
conceived him by herself and without any help from Zeus. Hera wanted to
get back at Zeus because she was angry at her husband for birthing Athena from his own head without first procreating with her.
Of all the gods, Hephaestus was the only one to be
physically ugly, and he was also lame. But of all the gods, it was the
deformed Hephaestus who created the greatest works of beauty.
There are two slightly different accounts
of how he became lame. One version is that Hera was so
upset at having an ugly child that she flung him off Mount Olympus and into the sea, breaking his
legs in the process. Later, Hephaestus took revenge on his mother by building her a golden throne which bound her with invisible fetters when she sat on it,
and would not release her until Hera had agreed to all his demands.
The other
version is that Hephaestus tried to, and almost did, free
his mother when Zeus punished her by hanging her on a
golden chain between heaven and earth; and Zeus, in anger
in at his sons interference, hurled him off Olympus
himself.
But most sources claim that Hephaestus landed in the sea near
the island of Lemnos, and was washed up by the surf on the shore, where
his body lay broken until rescued by the Nereids, Thetis and Eurynome (mother of the Graces).
These beautiful Nereids took great care to hide him from
his mother who, still ashamed of her deformed son, would have continued to
try to harm him. Secretly Hephaestus lived with these goddesses in their underwater caves for nine
years, and that was the awakening his creative energy.

There, he began to craft beautiful jewelry from the
multi-colored underwater coral reefs, and from the variety of precious metals found underwater.
To compensate for his lameness, Hephaestus built two golden robots to help him move around, and also the twelve
splendid thrones of Olympus. Helped by the Cyclops, who were master
craftsmen in their own right, he continued to develop his skills with decorative iron and other metals, creating beautiful gifts for
his surrogate mothers, the Nereids.
It wasn't long before Hera saw Thetis wearing some of the beautiful jewelry he had created and demanded to know the
source of this divine craftwork. She could tell that no mere mortal
could create anything resembling such exquisite work. When she learned it was her own son Hephaestus,
she realized that although physically deformed, her son was capable of
unsurpassed creations. All of a sudden his deformity didn't matter.
Hera forgave him for not being all she had hoped for, and asked for
her husband Zeus to return him to his rightful place up on exalted
Mount Olympus. But Hephaestus was quite happy living on Lemnos and was
still understandably angry at his mother for her past treatment of
him. He refused to comply with the order.
Finally, Zeus resorted to trickery. The King of
the Olympians sent Dionysus, Hephaestus' brother and the god of wine, to intoxicate him and persuade him to return.
Hephaestus had never experienced wine, and was drunk in no time. Thus
out of his mind, and agreeable to just about anything, Hephaestus then
mounted a donkey and, accompanied by Dionysus, rode back to the palace
at Mount Olympus.

"Return of Hephaistos to Olympos" by Caeretan Hydria, 530 BC
Hera wisely declared him her son, even though
Hephaestus himself claimed to have no mother, and that was how he
returned to his rightful place and became one of the Olympians. Many
ancient Greek vase painters were fond of depicting Hephaestus' triumphant return to Olympus.

"Hephaistos" by Ambrosios, circa 525 BC
Once back among his fellow gods on Mount Olympus, Hephaestus
chose to live underground, where he could work as an artisan undisturbed. Hera
grew to like her lame son, and felt very guilty for her previous vile
conduct towards him. She gave Hephaestus a massive workshop with many
bellows, anvils, and helpers; there he continue to create beautiful ornaments,
weapons, furniture and jewelry to the endless amusement and delight of
the Olympian gods and goddesses. To help him in his workshop, he forged handmaidens out of gold, who were able to move
around and help him in his work.
In Homer's Iliad his wife is said to be
Aglaia (Splendor), one of the Graces; in the Odyssey she is
Aphrodite. But the commonly held belief is that Zeus, greatly regretting his previous
enmity towards this talented god, and knowing that he could make great
use of Hephaestus' skills, gifted Aphrodite to Hephaestus as his wife.
Zeus felt that the beautiful goddess of love would
arouse the passions of the other Olympians, leading to great hostility
and bickering, and decided that the steady and easygoing god of the
forge would make a solid partner for her. Aphrodite was not happy to be
joined with such an unattractive mate, but knew that it was a marriage
only in name and did not refuse. Her numerous extramarital affairs
scandalized Olympus and often made poor Hephaestus the butt of many
jokes from his fellow Olympians.
Hephaestus was a kind and peace-loving god, gentle and
introverted and popular both in heaven and on earth. Along with Athena
his patronage was very important to life in the city,
because they were the patrons of the handicrafts, which
along with agriculture were the lifeline and support of civilization.
Hephaestus protected the smiths and Athena the weavers, and the people
revered and paid homage to these important deities.
Physically, Hephaestus was generally represented as a
sturdy and muscular man with a thick neck and hairy chest who, because of a shortened, lame
leg and club foot, supported himself with the aid of a crutch. Bearded,
this blue collar god most often was shown dressed in a ragged sleeveless tunic and woolen hat.
Most frequently, he was portrayed in art holding the
heavy tools of his trade, especially the blacksmith's hammer and tongs.
Sometimes in artistic depictions, he was surrounded by the Kabeiroi, the
dwarflike blacksmith servants of the Mother Goddess who helped in his subterranean
forge, deep below Olympus.
He was worshipped by all
blacksmiths and artisans, who recognized him as their
special patron and venerated him accordingly. Two great
festivals, the Vulcanalia (celebrated by the Romans on August 23, the first day of
Virgo) and the Hephaestia were
celebrated in his honor.

Hephaestus was the one who split open the head of Zeus
with an axe, when the King of the Olympians was suffering from a
terrible headache. From the gaping head of Zeus emerged Athena. At the
request of Zeus, and against his wishes, he also created the first
woman, Pandora, who eventually unleashed a slew of evils upon the world.
Hephaestus was the only Olympian god who actually did
physical work and he is worshipped for demonstrating that labor can be
noble. He showed that it's not only important to do work, but to do so
in an excellent and efficient fashion, and his skill was matchless. It's
easy to see why he became the patron god of artists and craftsmen of all kinds,
including weavers, painters, metalworkers, blacksmiths, leatherworkers,
potters and builders.
His beautiful and detailed creations included the
following wonders:
Aphrodite's golden girdle,
which when worn made her irresistible
The bows and arrows of Artemis and Apollo
His robotic helpers,
the handmaidens of gold, and the twenty three-legged stools that ran to
service the banquets of the Olympians
The palaces and
homes of the Olympians, with their unbreakable locks, as well as their
twelve splendid thrones.
The famous Shield of
Achilles
Heracles'
(Hercules') golden breastplate
The exquisite
Necklace of Harmonia
Athena's spear,
Apollo's chariot and Demeter's sickle
The awesome scepter
of Zeus
The golden bed of
Helios, the sun god, which carries him as he sleeps
The armor of the
gods in their war against the Titans
Various marvelous jewelry
for Aphrodite and his Nereid surrogate mothers
The Aegis,
emblazoned with the head of Medusa, carried by both Zeus and his
daughter Athena
The invisible silver
net that captured Aphrodite and Ares in bed

"Mars and Venus caught in the net and shown by Vulcan to gods"
by Martin Van Heemskerk, 1536
Below are some of the source
books used for reference
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